#just giving my perspective here

[casscainmainly]

God this panel kinda drives me crazy. From Batman & the Outsiders #17, Shiva asks Duke about his suit, whether it was his choice. And how does Duke respond? He... doesn't. He parrots what is clearly something Bruce said to him, but never clarifies whether it was 'his choice' at all. Because both him and Shiva know it wasn't. And he acknowledges that his suit, with all the Batty-ness (ears, symbol), was specifically designed to make him like Batman.

Then Shiva suggests dark red, which is what Duke wore in We Are Robin and has connotations to Robin as a whole. Duke's reaction - can we let it go? - can be read in many ways, but to me it suggests Shiva's words hit home. He does miss the Robin colours. Becoming the Signal wasn't his choice, but becoming Robin was.

(And throughout this run, Shiva says both Cass and Duke are being held back by Bruce. With Cass this is a clear allusion to being Orphan over Batgirl, so it's not farfetched to read this conversation as being about how Duke was denied Robin to become Signal).

Duke-as-Signal is a symbol of 'people like Batman', but Duke-as-Robin was a symbol of youth, of community, of diversity and of choice. He was a Robin formed without Batman. I know there's no going back, but having Bruce choose the name, the suit, and the time of day that Duke goes out makes the Signal such a fraught identity. I love the yellow, the suit, and the daytime aspect, but I just wish they were Duke's choices, not Bruce's.

[srapsodia]

ah fuck we're pulling out the big guns (storyboard pro's perspective grid) for this prompt

[vagun1ka]

hsr women...

[challenger-of-tech]

{ Click/Tap for better quality. }

Mmmmmmmwah~! <3

Original art by mitzubao on X / Twitter under Read More.

[o0o0thorn0o0o]

Anyway, I got addicted to my own palette again, oops. Exclusively IchiHime addition this time.

Quality’s a little iffy on the first one because I drew it so tiny, eheh ^^

[skitskatdacat63]

Favorite Martian pics atm

[squishy--squish]

A piece of him has settled at last. Like a jagged part that was put back wrong has finally found its place. For the first time since he died, Grian is able to feel something other than fatigue and remorse.

And yet... even as the emotion of their reunion overwhelms him, forcing him to cling tight to Scar, refusing to let him go…

His hunger…

His hunger persists.

do you ever read something that puts SUCH a specific image in your head?? cause that's how chapter 29 of this fic made me feel and i HAD to get it out, shitty ipad camera be damned

[chirpsythismorning]

bylers when over 350k people don’t have the exact same thoughts and opinions as them

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[presiding]

you'll never guess which level we're up to in this dishonored 2 rewrite

[captain-lovelace]

[peachcat14]

actually the way people treat a shadow dragon rook that chose to save treviso is so fucked up. literally what the fuck is wrong with all of you

[incesthemes]

as i've rewatched seasons 1 and 2 of supernatural i've been pondering and hypothesizing reasons why john was so adamant on not letting sam know about his destiny. why he was so intent on keeping this secret, why he didn't want sam knowing about monsters, why his role in their hunts appeared to be research-oriented and thus away from the action. my perspective on ignorance and censorship is that it enables further harm, so if john were going to effectively protect sam, it would stand to reason that sam should have a comprehensive understanding of his destiny and what he's up against: give him the tools to fight.

this is obviously not the route john went, so then i have to question why that is—what about censorship was so appealing to him that he thought it not only the best way to keep sam safe, but perhaps even the only way to keep him safe, based on how he begged even dean to keep sam's fate a secret from him in his final words?

so i got to thinking. namely, about the fact that azazel wants sam to be hunting: he killed jessica with the intent to drag him back into the life, which implies that if sam is hunting, he is going down the path azazel wants him to go—he's following his destiny. this aligns with the everpresent theme throughout season 1 that hunting is a monstrous lifestyle, that hunting turns people into monsters. if sam is destined to become a monster, then hunting is the most sure-fire way to get him there.

if azazel wants sam to hunt, then john would need to take the logical opposition and keep sam out of hunting—so, he wouldn't tell sam about monsters until he has to, he'd give sam more passive roles once sam is participating in hunts, he'd train sam in self-defense but not explain why. and importantly, he wouldn't talk about mary, who is the root cause of this lifestyle, the impetus for their revenge quest, more than he has to. if the goal is to keep sam as far away from hunting as possible, and if john is someone who thinks ignorance keeps someone safe, then this more or less explains most of how sam was raised: on the fringes of the family, excluded and sheltered.

but weirdly enough, it wasn't until i was reading east of eden the other night that i finally understood the perspective being presented: late in the novel, the character lee says "when the first innocence is gone, you can't stop."

it made me remember that sam picks. he is a character who wants to understand the world around him and his place in it. if something is bothering him, he turns it over in his head until it consumes him. dean places doubt in sam's head in 2x10 and it obliterates him by 2x11. he's convinced he's going to become some horrible monster because he never stops thinking and trying to figure things out. when his memory is wiped in 4x17 and normal guy sam wesson finds out his coworker is the guy from his weird dreams, he pursues him relentlessly until they're back hunting. when he discovers the wall death put in his mind to keep his hell trauma out in season 6, he pushes and can't stop until it starts crumbling around him. he's intelligent and clever and he wants to know everything. and when he doesn't know, he picks.

and the only way to stop a person like that from picking is to not let them know that there's something to pick at in the first place. that's what the quote from east of eden means: once you catch wind of something, you want to pursue it until you're satisfied. curiosity kills the cat.

and what john is up against is fate itself. something that isn't supposed to be messed with, something that's supposed to be unavoidable. so trying to thwart it is tricky business. he has to be careful.

i think working under that logic his response makes sense, even if it wound up being a self-fulfilling prophecy anyway—sam was always going to find out, and sam was always going to pick. there was nothing john could do in the end to stop it, and trying to keep sam ignorant only made him that much more desperate to know. but that's the great tragedy of it all: john was given an impossible choice, and he's a deeply flawed character. he did what he thought was best, and it only made things worse.

i like this interpretation because it ties all of john's choices together really well; it explains a lot about his character and gives a nuanced and rather reasonable explanation for why he did what he did: a dad who wants the best for his kid does what he believes will set him up on the path to success. when the first innocence is gone, you can't stop—so john does his damnedest to keep sam innocent, even to his dying breath.

the problem comes down to that someone's damnedest isn't always good enough, and that sometimes someone's damnedest ends up benefiting the enemy instead.

[fictionadventurer]

Potential November Reads

In This House of Brede by Rumer Godden

The Everlasting Man by G.K. Chesterton

Something by Charles Dickens

A nonfiction book

A piece of classic Russian literature

[tamagotchikgs]

the constant internal struggle of do i want 2 take T or do i just wish i were a cis man and ill be miserable either way

[pitchthepeach]

John & Paul, Liverpool 1963